

In depth overview of Mixed Gas Diving

If you've seen the movie....

Good read!

Courageous and Inspiring
Main point excellent, but could've used a good edit
it opened my eyes to the simplest truthsThroughout the book the author advises the reader to respond to intuition, to work with ideas that resonate with them. She allows the reader to disagree, which is helpful to increase understanding in the reader's own life.
The title shocked me initially, but I was attracted to the book because AA's program is so negative. I finally left AA after a meeting when an 18-year member admitted that he still didn't like himself. I knew then I wasn't in the right place. I had already quit drinking on my own (coincidentally on the day of my divorce - how about that??) and tried AA because of their promises of a new and better way of living. Too bad I didn't take the time to seek out more helpful options, too bad that they are not as publicized as AA.


Are you kidding me? LESS than 1 star!REVIEW
This book is so overrated. I've yet to read exactly WHAT the genius is supposed to be behind this book. That Thompson is able to ramble on and on and on and on and ON about drugs for a few hundred pages? That he was able to put to words what it's like to be in a week-long drug binge (which WOULD be hard, because how COULD you remember it?)
I enjoy out-of-the-ordinary books and movies. Although the people that have previously posted (rave) reviews about this book are much deeper into the alternative culture, things like Pulp Fiction and Fight Club are still considered "out there" by the vast majority of the public. And Fear and Loathing not just out there, it's gone.
(...)
I started the book. I lost interest. I rented the movie, hoping it could contain my focus for 90 minutes. It was ***. At the encouragement of another author, I read the book all the way through. Still bored. Constant drug ramblings with no real objective. It could have ended 50-100 pages earlier, or it could have continued 50-100 pages more (in Denver or Malibu), and it would have made no significant change to the content of the book. I rented the movie again. Ugh. Other than they did a good job sticking to the original content (amazingly so), the original material still was... boring!
I'm sure the flames will come, but after spending a considerable amount of energy trying to get through this material, I can't find the genius in the work. As for why everyone that has previously reviewed it has given it 5 stars: it is rare for anyone not extremely interested in the drug culture to get past the first 5 pages, so anyone who didn't love the book probably gave up on it way early and can't make a valid review.
buy the NOVEL!
A Great Script Adaption Of The Book

Only a few bright spotsWe start with an icky poem by Jane Yolen; then a groanworthy Mercedes Lackey story "The Cup and the Cauldron" -- it stars girls and yes, has more Christian-pagan stuff if you're as sick of that as I am; an incoherent Andre Norton story "That Which Overfloweth"; Marion Zimmer Bradley's equally groanworthy feminist-Goddess-server "Chalice of Tears." We hit something far better in Diana L. Paxson's "Feast of the Fisher King," which is both well-written and entertaining, as well as being in play format; also Brad Strickland's enjoyable elf-fantasy-Arthurian story "Gift of Gilthiliad."
Then it's back into "groan" territory with Ilona Ouspenskaya's gypsy tale "Curse of the Romany," where you wonder what-the-heck-does-this-have-to-do-with-it? James S. Dorr's "Dagda" is pretty; Gene Wolfe's odd "Sailor who Sailed After the Sun" is another where you wonder what the relevance is; Lee Hoffman's indifferently-written western-fantasy "Water" takes a long time to get to the point, as does Alan Dean Foster's "What You See..." and Richard Gilliam's "Storyville, Tennessee" and Jeremiah Phipps' "Hell-Bent for Leather" (are you seeing a pattern of irrelevance here?)
Lisa Lepovetsky pens another icky poem; Orson Scott Card's "Atlantis" stretches indefinitely; Dean Wesley Smith's "Invisible Bars" is pretty amusing; Janny Wurts bores and annoys with "That Way Lies Camelot"; Kristine Katherine Rusch's "Hitchhiking across an Ancient Sea" is a pale, pale short story; Lawrence Watt-Evans's story has a good idea, but is poorly written; Lionel Fenn's "The Awful Truth in Arthur's Barrow" is just plain bizarre, as is Brian M. Thompson's "Reunion." Margo Skinner redeems the poetry angle with "Quest Now"; Neil Gaiman's "Chivalry" is enchanting; Bruce D. Arthurs is weird again in "Falling to the Edge of the End of the World", same with Rick Wilber's "Greggie's Cup."
As you can see, this mixed bag tends toward the dull, irrelevant, pretentious and just poorly written. Half the stories seem to have the Grail thrown in (if it's there at all) just as an afterthought. Except for Margo Skinner's poem, the poetry all stinks; only a few of the stories retain the beauty and prose that one espects to see in an Arthurian story. When I buy a book classified as Arthurian fiction, I WANT Arthurian fiction; I do not want stories about pregnant gypsies, fantasy westerns, or genies.
There are much better collections out there, however bright the bright spots in this are. Read "The Doom of Camelot" and the upcoming "Legends of the Pendragon" if you want good Arthurian short stories.
Gaiman story is worth the price

2 thumbs down

